No. 38 / Winter 2013


Curator's Key

Raimundas Malašauskas presents a letter by Argentinian artist Fernanda Laguna


Ingo Niermann visits the Gallery of the Unbelievers in Dessau-Roßlau, Germany, and has an unusual experience


In 1968, the Stockholm Moderna Museet was transformed by »The Model«, a children’s playground representing a model for a new qualitative society. By Antony Hudek

Game Over

What does it mean to click? Alexander Scrimgeour discovers the online game Cow Clicker and speculates

21st Century Theory

To French artist Benoît Maire, an image or an object can become theory and a text can be read as an image.

Portrait Bruce McLean

When it is no longer on the plinth, a sculpture can be anywhere – on the shoulder, or in the pocket of the Scottish artist. An interview with curator Vincent Honoré

Portrait KwieKulik

Life, art and politics. The couple documented their collective art/lifestyle in meticulous detail in the communist Poland of the 70s and 80s. A profile by Karen Archey


Artists’ assistants are emerging from invisibility and asserting their roles as artists in their own right. By Hans-Jürgen Hafner


By Piper Marshall & Rochelle Goldberg, Marcus Steinweg, Davide Stucchi, Karolina Dankow and Ann Cotten


Christian Egger examines three recent books by Hans-Christian Dany, Tiqqun and Robert Fitterman & Vanessa Place

The Pfaff Brothers

The Look-In